Metallic Oud Attar Al Has

Unisex
Parfum/Extrait
Year: 2021
Strong
Sillage
Excellent
Longevity
Winter
Best Season
Evening
Best For

Fragrance Story

Metallic Oud by Attar Al Has is a Oriental Woody fragrance for women and men. Metallic Oud was launched in 2021. The nose behind this fragrance is Mohammad Tammam Mando. Top notes are Saffron, Pear, Raspberry, Lemon, Orange and elemi; middle notes are Bulgarian Rose, Amber, Pink Pepper, Violet, Orange Blossom and Pepper; base notes are Amber, Cedar, Madagascar Vetiver, Patchouli, Oakmoss, Musk, Fir and Laotian Oud.

Composition Profile

rose 100%
woody 85%
warm spicy 70%
amber 60%
powdery 50%
sweet 40%
fruity 35%
floral 30%
earthy 25%
soft spicy 20%

About the Perfumer

Mohammad Tammam Mando

Mohammad Tammam Mando

Mohammad Tammam Mando is a perfumer for Attar Al Has and Karakash Perfume. His catalog includes Golden Ice, Kamuthraa, Metallic Oud, My Magic, Passion Oud, Aqua Oud, Istabraq, and Sundus. These fragrances often feature oud, metallic accords, and aquatic notes. Mando's work is known for its bold, contemporary interpretations of traditional ingredients.

Fragrance Notes

Top Notes

First impression · 15-30 min

Saffron Saffron
Pear Pear
Raspberry Raspberry
Lemon Lemon
Orange Orange
elemi elemi

Heart Notes

Core character · 2-4 hours

Bulgarian Rose Bulgarian Rose
Amber Amber
Pink Pepper Pink Pepper
Violet Violet
Orange Blossom Orange Blossom
Pepper Pepper

Base Notes

Lasting impression · 4+ hours

Amber Amber
Cedar Cedar
Madagascar Vetiver Madagascar Vetiver
Patchouli Patchouli
Oakmoss Oakmoss
Musk Musk
Fir Fir
Laotian Oud Laotian Oud

Character Profile

The Alchemist Archetype: Portrait of Metallic Oud Attar Al Has

Essence

This person is most closely aligned with the Sage-the seeker of truth, the interpreter of hidden meanings, the one who distills wisdom from the raw materials of existence. The Sage does not merely observe; they transmute knowledge into insight, much like the alchemical process that turns base metals into gold. The metallic sharpness of their chosen fragrance, Metallic Oud Attar Al Has, reflects this: oud, ancient and sacred, fused with something industrial, almost futuristic. They are a bridge between the archaic and the avant-garde, a thinker who venerates tradition but refuses to be bound by it.

Style & Aesthetic

Their appearance is deliberate but never ostentatious. They favor structured minimalism-tailored blacks, deep grays, perhaps a single piece of jewelry with personal significance. Their style is an extension of their mind: precise, uncluttered, but with an undercurrent of something darker, more enigmatic.

They are drawn to scents, textures, and sounds that evoke contrast: the warmth of aged leather against cold steel, the dissonance of a minor chord in an otherwise harmonious melody. Metallic Oud Attar Al Has is their signature because it embodies this duality-earthy and industrial, sacred and profane.

They thrive in environments that allow for contemplation and creation. They may be drawn to academia, art, or esoteric disciplines-any field where knowledge is both tool and treasure. Their home is a sanctuary: books arranged not by genre but by some private logic, a single burning incense stick marking the passage of time.

They are not ascetics; they appreciate fine things, but only if they serve a purpose beyond mere luxury. A well-crafted pen, a rare first edition, a bottle of aged whisky-these are not status symbols but objects of meaning, extensions of their inner world.

Philosophy & Values

Their mind is a crucible where ideas are tested, refined, and sometimes discarded. They believe in the sovereignty of intellect but are not coldly rational-they understand that wisdom must be felt as much as known. Their philosophy is one of controlled intensity: they admire restraint, but only when it serves a greater depth of experience. Excess for its own sake disgusts them, yet they are drawn to the sublime, the overwhelming, the nearly unbearable.

They value authenticity above all else, despising platitudes and hollow social rituals. Their conversations are not small talk but excavations-probing, questioning, sometimes unsettling. They have little patience for those who refuse to think deeply, yet they are not cruel in their dismissals; they simply move on, like a traveler leaving behind a town that has nothing left to offer.

Relationships

They do not collect acquaintances; they cultivate few but profound connections. Their friendships are built on mutual intellectual stimulation, a shared appreciation for the unspoken, the layered. They are not the life of the party, but they are the one you seek out when the noise fades and you crave a conversation that lingers in your mind for days.

Romantically, they are intense but not possessive. They seek a partner who is their equal-someone who can match their depth but also challenge their assumptions. They despise emotional manipulation, yet they themselves can be guilty of a detached arrogance, assuming their way of seeing the world is superior.

Shadow

Every Sage risks becoming the Arrogant Hermit-the thinker who withdraws too far, who mistakes solitude for superiority. Their greatest flaw is intellectual pride: the belief that their insights make them exempt from the messiness of human emotion. They can be dismissive, even cruel, when others fail to meet their standards of depth.

At their worst, they indulge in cynicism, using their wisdom not to illuminate but to negate. They may retreat into a self-made fortress of ideas, disdaining those who cannot follow. The metallic edge of their fragrance then becomes not a bridge but a barrier-a warning to keep away.

Conclusion

This person is not content with surfaces. They dig, they refine, they seek the core. Metallic Oud Attar Al Has is their essence in scent form: a fusion of the ancient and the modern, the sacred and the stark. They are the alchemist of their own existence, turning experience into wisdom-but they must beware the temptation to believe they have found all the answers.

The Sage’s journey is never complete. To stop questioning is to cease being wise.