Where We Used To Live Azman

Unisex
Eau de Parfum
Year: 2022

At a glance

Is Where We Used To Live Azman worth trying?

Where We Used To Live by Azman is a fragrance for women and men.

Best match
Casual, Office wear in Spring, Summer
Performance feel
Good longevity with Moderate sillage
Signature profile
white floral, fruity, floral with Cassis, Honeysuckle, Magnolia

The first impression

Where We Used To Live by Azman is a fragrance for women and men. This is a new fragrance. Where We Used To Live was launched in 2022. The nose behind this fragrance is Euan McCall. Top notes are Cassis, Honeysuckle and Magnolia; middle notes are Osmanthus, Orange Blossom, Heliotrope, Jasmine, Rose and Saffron; base notes are Vanilla, Cypriol Oil or Nagarmotha, Agarwood (Oud), Musk, Patchouli and Vetiver.

What shapes the scent

white floral 100%
fruity 85%
floral 70%
vanilla 60%
powdery 50%
woody 40%
earthy 35%
soft spicy 30%
aromatic 25%
citrus 20%

The perfumer behind it

Euan McCall

Euan McCall

Euan McCall is a perfumer with a diverse portfolio spanning Azman, BeauFort London, and Jorum Studio. His creations include Where We Used To Live, Cape Wrath, Pyroclasm, The Grudge, Arborist, Askr, Athenaeum, and Boswellia Scotia. His work often explores atmospheric, narrative-driven compositions with bold and unconventional elements.

Notes pyramid

Top Notes

First impression · 15-30 min

Cassis Cassis
Honeysuckle Honeysuckle
Magnolia Magnolia

Heart Notes

Core character · 2-4 hours

Osmanthus Osmanthus
Orange Blossom Orange Blossom
Heliotrope Heliotrope
Jasmine Jasmine
Rose Rose
Saffron Saffron

Base Notes

Lasting impression · 4+ hours

Vanilla Vanilla
Cypriol Oil or Nagarmotha Cypriol Oil or Nagarmotha
Agarwood (Oud) Agarwood (Oud)
Musk Musk
Patchouli Patchouli
Vetiver Vetiver

The mood it creates

The Wanderer Archetype: Portrait of Where We Used To Live Azman

Essence

Where We Used To Live embodies the Wanderer, a soul drawn to the liminal spaces between memory and discovery. The fragrance's honeysuckle and magnolia evoke half-remembered gardens, while saffron and oud anchor the journey in earthy resilience. Like the Wanderer, it is neither fully rooted nor entirely untethered, existing in the bittersweet overlap of nostalgia and reinvention.

Style & Aesthetic

They wear linen shirts softened by travel and scarves dyed with botanical inks. Their home is a collage of found objects: a seashell from Marseille, a faded postcard pinned to a corkboard. The scent's osmanthus and vetiver mirror their aesthetic-faded elegance with a whisper of wilderness, as if each piece carries a story yet to be told.

Philosophy & Values

They measure life in encounters, not possessions. The fragrance's balance of floral brightness and woody depth reflects their belief that growth requires both movement and reflection. They value impermanence, finding beauty in the way cassis berries burst briefly before yielding to the steadiness of patchouli.

Relationships

Their connections are deep but transient, like the scent's jasmine blooming only at dusk. Lovers are drawn to their restlessness but often ache for more stability than they can offer. Friends appreciate their ability to make any corner of the world feel like a shared secret, even if just for an evening.

Lifestyle

They keep a journal filled with pressed flowers and train tickets. Mornings might find them in a Parisian café or a Kyoto teahouse, always with a book and a cup of something fragrant. The fragrance's moderate sillage mirrors their preference for leaving gentle impressions rather than overwhelming a space.

Shadow

Their freedom can become evasion, using motion to avoid commitment. The nagarmotha's earthiness risks being drowned by the top notes' flightiness, just as their fear of stagnation may keep them from planting roots. When unbalanced, they romanticize solitude to the point of loneliness.

Conclusion

Where We Used To Live is a scent for those who find home in the act of seeking. It honors the Wanderer's paradox: the more they roam, the richer their inner landscape becomes, much like the fragrance's layers unfolding across skin.