Night Flower Eris Parfums

Unisex
Eau de Parfum
Year: 2016
Strong
Sillage
Very Good
Longevity
Fall
Best Season
Evening
Best For

Fragrance Story

Night Flower by Eris Parfums is a Floral Woody Musk fragrance for women and men. Night Flower was launched in 2016. The nose behind this fragrance is Antoine Lie. Top notes are Cardamom, Birch and Bergamot; middle notes are Suede, Indian Tuberose and Cinnamon; base notes are Tonka Bean, Patchouli and Musk.

Composition Profile

warm spicy 100%
leather 85%
musky 70%
tuberose 60%
aromatic 50%
woody 40%
patchouli 35%
cinnamon 30%
powdery 25%
white floral 20%

About the Perfumer

Antoine Lie

Antoine Lie

Antoine Lie is a French perfumer trained at Givaudan and known for his work with brands like Burberry and Avon. His style often blends bold contrasts, pairing fresh or woody accords with unexpected gourmand or metallic touches. He created the earthy, resinous Sequoia for Abbott New York City and the spicy, incense-laced Sword for CZAR, showcasing his skill with complex, atmospheric compositions.

Fragrance Notes

Top Notes

First impression · 15-30 min

Cardamom Cardamom
Birch Birch
Bergamot Bergamot

Heart Notes

Core character · 2-4 hours

Suede Suede
Indian Tuberose Indian Tuberose
Cinnamon Cinnamon

Base Notes

Lasting impression · 4+ hours

Tonka Bean Tonka Bean
Patchouli Patchouli
Musk Musk

Character Profile

The Enchantress Archetype: Portrait of Night Flower Eris Parfums

Essence

To wear Night Flower by Eris Parfums is to embrace the twilight-the liminal space where mystery and allure intertwine. This fragrance, with its intoxicating blend of dark florals, smoky resins, and a whisper of spice, is not for the faint of heart. It is chosen by those who dwell in the in-between, who find power in shadows, and who understand that beauty often wears a veil.

The dominant archetype here is the Enchantress-a figure of magnetic charm, depth, and seduction, not merely in the carnal sense, but in the way she bewitches the mind and stirs the soul. Like Circe or a modern-day sibyl, she understands the alchemy of influence, drawing others into her orbit with an effortless, almost unconscious power. She does not seek to dominate, but to fascinate.

Yet, the Enchantress is not without her shadow. Where there is allure, there may also be manipulation; where there is mystery, there may be evasion. She walks the fine line between enchantment and deception, between drawing others in and keeping them at arm’s length.

Relationships

She does not give herself freely. Relationships with her are a dance-sometimes a tango, sometimes a waltz, but always requiring rhythm and intuition. She attracts lovers and friends who are drawn to her enigmatic nature, but few ever feel they truly know her. This is not out of cruelty, but out of self-preservation. To be fully seen is to be vulnerable, and vulnerability is a currency she spends sparingly.

Her closest bonds are with those who appreciate nuance, who do not demand explanations for her silences or her sudden retreats. She is fiercely loyal but expects the same in return-betrayal cuts deeper for her than for most, and she does not forgive easily.

Shadow

The Enchantress’s greatest strength is also her greatest weakness. Her ability to captivate can slip into a need for control-over situations, over people, over her own image. She may withhold affection as a test, or use her charm as a weapon when threatened. At her worst, she becomes a phantom, present but never truly there, leaving others longing for something just out of reach.

There is also the risk of isolation. By guarding her depths too closely, she may find herself surrounded by admirers but devoid of true companions. The very mystery that makes her fascinating can become a cage.

Conclusion

Her tastes are refined but never obvious. She prefers the richness of burgundy over the starkness of black, the texture of velvet over the coldness of leather. In art, she is drawn to the chiaroscuro of Caravaggio, where light and darkness wrestle for dominance. In music, she favors the sultry melancholy of jazz or the haunting melodies of darkwave-sounds that mirror the complexity of her inner world.

Her philosophy is one of depth over surface. She believes truth is layered, that people reveal themselves in fragments, and that the most profound connections are those that unfold slowly. She does not trust easy answers or hollow charm, and she despises the trivial.