El Primer Deseo Fakoshima

Unisex
Eau de Parfum
Year: 2021
Moderate
Sillage
Good
Longevity
Fall
Best Season
Evening
Best For

Fragrance Story

El Primer Deseo by Fakoshima is a Leather fragrance for women and men. El Primer Deseo was launched in 2021. El Primer Deseo was created by Yaroslav Simonov and Konstantin Shilyaev. Top notes are Cardamom, Mandarin Orange, Lemon, Bergamot, Black Elder and Lime; middle notes are Carnation, Black currant leaf, Black Pepper, Red Apple and Guaiac Wood; base notes are Leather, Resins, Patchouli, Sandalwood and Caramel.

Composition Profile

warm spicy 100%
woody 85%
citrus 70%
aromatic 60%
fresh spicy 50%
fruity 40%
floral 35%
leather 30%
amber 25%
green 20%

About the Perfumer

Konstantin Shilyaev

Konstantin Shilyaev

Konstantin Shilyaev is a perfumer known for his work with the Fakoshima brand. His fragrances include Acqua Gotica, Contre Culture, El Primer Deseo, and Остров Х. These scents often feature abstract, conceptual compositions that blend unexpected notes to create distinctive olfactory experiences.

Fragrance Notes

Top Notes

First impression · 15-30 min

Cardamom Cardamom
Mandarin Orange Mandarin Orange
Lemon Lemon
Bergamot Bergamot
Black Elder Black Elder
Lime Lime

Heart Notes

Core character · 2-4 hours

Carnation Carnation
Black currant leaf Black currant leaf
Black Pepper Black Pepper
Red Apple Red Apple
Guaiac Wood Guaiac Wood

Base Notes

Lasting impression · 4+ hours

Leather Leather
Resins Resins
Patchouli Patchouli
Sandalwood Sandalwood
Caramel Caramel

Character Profile

The Lover Archetype: Portrait of El Primer Deseo Fakoshima

Essence

To wear El Primer Deseo Fakoshima is to embrace a paradox-an intoxicating blend of familiarity and strangeness, warmth and distance, softness and sharpness. This fragrance, with its aquatic freshness, citrus brightness, and woody depth, mirrors the soul of one who is both grounded and untethered. Their archetype? The Explorer-the restless seeker who thrives on novelty, yet secretly longs for an anchor.

Shadow

Yet no archetype is without its darkness. The Explorer’s greatest strength-their adaptability-hides a subtle fear: the terror of commitment, of being pinned down. They mistake motion for growth, confusing new experiences with true depth. At times, their wanderlust becomes evasion-an unwillingness to face the mundane struggles that forge resilience.

Their relationships suffer for it. They leave behind lovers who adored them, friendships that could have deepened, all because the horizon always seems more alluring than the present. They mistake solitude for independence, forgetting that even the most self-sufficient traveler needs a home.

Conclusion

This person is not content with stagnation. Their mind is a map of uncharted territories, their spirit drawn to the edges of experience. They move through life with a quiet confidence, neither brash nor timid, but always curious. Their tastes reflect this duality: they appreciate minimalist design yet surround themselves with eclectic artifacts from their travels. Their wardrobe is a study in effortless elegance-linen shirts, well-worn leather shoes, a single piece of jewelry with a story behind it.

Philosophy is not an abstract exercise for them but a lived reality. They believe in the fluidity of identity, that one is not a fixed self but a series of evolving impressions. They quote Heraclitus without pretension: No man steps in the same river twice. Their values revolve around freedom-not the reckless kind, but the deliberate choice to remain unshackled by convention. They despise dogma, yet they are not nihilists; they simply trust experience over doctrine.

Relationships are both their sanctuary and their challenge. They attract others effortlessly-their presence is magnetic, their conversation layered with wit and insight. But intimacy is a delicate dance for them. They cherish deep connections, yet the moment they sense confinement-a partner’s possessiveness, a friend’s expectations-they retreat. Their love is genuine but transient, like the scent they wear: vivid at first, then fading into memory.