Samawat Maison Vey

Unisex
Eau de Parfum
Year: 2024
Strong
Sillage
Very Good
Longevity
Fall
Best Season
Evening
Best For

Fragrance Story

Samawat by Maison Vey is a Floral fragrance for women and men. This is a new fragrance. Samawat was launched in 2024. The nose behind this fragrance is Cyrille Carles. Top notes are Rose and White Flowers; middle notes are Musk and Vanilla; base notes are Gourmand Accord and Woody Notes.

Composition Profile

rose 100%
sweet 85%
musky 70%
powdery 60%
vanilla 50%
white floral 40%
floral 35%

About the Perfumer

Cyrille Carles

Cyrille Carles

Cyrille Carles is a perfumer known for his work with Maison Vey, creating the fragrances Layali Maison Vey and Samawat Maison Vey. He also crafted scents for Pink Room, including Darkly Audacious Pink Room and Parfum Pour Toi Pink Room. His portfolio includes Avenue Montaigne Strada for Strada.

Fragrance Notes

Top Notes

First impression · 15-30 min

Rose Rose
White Flowers White Flowers

Heart Notes

Core character · 2-4 hours

Musk Musk
Vanilla Vanilla

Base Notes

Lasting impression · 4+ hours

Gourmand Accord Gourmand Accord
Woody Notes Woody Notes
Unique Character

Samawat Maison Vey by Maison Vey offers a distinctive olfactory experience that stands out from other fragrances in its category.

Artisanal Creation

Crafted with the finest ingredients and a blend of traditional and modern perfumery techniques, this fragrance represents the pinnacle of the perfumer's art.

Signature Style

Samawat Maison Vey embodies the distinctive style of Maison Vey while adding a unique chapter to their fragrance portfolio.

Character Profile

The Lover Archetype: Portrait of Samawat Maison Vey

Essence

To wear Samawat Maison Vey is to embrace the intoxicating dance between the ephemeral and the eternal-a fragrance that whispers of amber’s warmth, oud’s mystique, and the delicate tension between shadow and light. The person who chooses this scent is not merely selecting a perfume; they are declaring an allegiance to the Lover archetype, one who seeks beauty, connection, and transcendence through the senses.

The Lover lives in pursuit of the sublime, finding meaning in the textures of life-the brush of silk against skin, the slow burn of a shared glance, the poetry of a half-spoken truth. They are drawn to experiences that awaken passion, whether in art, conversation, or intimacy. Their philosophy is one of carpe diem, but not in the reckless sense-rather, in the deliberate cultivation of moments that feel alive.

Their style is an extension of this ethos: elegant yet sensual, with a preference for fabrics that move with the body, colors that evoke depth (deep reds, midnight blues, blacks that swallow light), and textures that invite touch. They are not ostentatious, but they are magnetic-people notice them, even when they do not seek attention.

Style & Aesthetic

The Lover thrives in environments where beauty and meaning intersect. They are the kind of person who can turn an ordinary dinner into an event, who remembers the exact way someone takes their coffee, who lingers in museums not just to see but to feel the art. Their relationships are intense, layered-they do not do superficial bonds. When they love, they love with a quiet ferocity, drawing others into their orbit with an almost gravitational pull.

They value authenticity, but not in the crude sense of blunt honesty-rather, in the way a poet values truth wrapped in metaphor. They believe that the most profound realities are often unspoken, revealed only in glances, in the way someone’s voice trembles when they lie, or in the scent of rain on skin.

Shadow

Yet every archetype has its dark reflection. The Lover’s depth can tip into excess-too much wine, too many late nights chasing a feeling that always slips away. Their sensitivity, while a gift, can also be a curse; they feel the weight of beauty’s impermanence, the ache of lost moments. At times, they may grow melancholic, mourning loves that have not yet ended, grieving the passage of time itself.

Their greatest flaw, however, is their tendency toward possessiveness. The Lover does not share well; they want to be the only one who knows a certain look in their beloved’s eyes, the only one who hears a particular laugh. This can lead to jealousy, to a quiet desperation beneath their composed exterior. They must learn that love, like fragrance, cannot be contained-it must be allowed to breathe, to evolve, to dissipate when it must.

Conclusion

The Lover’s world is one of heightened sensation-books with underlined passages, music that makes the spine shiver, cities explored at night when the streets are slick with rain. They are drawn to partners who match their intensity, who understand that love is not just an emotion but an act, something to be crafted like a poem.

Yet they are not naive. They know that passion burns brightest when it is fleeting, that the most beautiful things are often the most fragile. This knowledge gives them a bittersweet wisdom-a recognition that to love deeply is to risk loss, and yet, they choose it anyway.

In the end, the Lover is both artist and artwork, both the creator and the consumed. They wear Samawat Maison Vey because it mirrors their soul-complex, lingering, impossible to ignore. And though they may sometimes drown in their own depths, they would never choose to live in the shallows.