Dolls Moth And Rabbit Perfumes

Unisex
Eau de Parfum
Year: Unknown
Moderate
Sillage
Good
Longevity
Spring
Best Season
Evening
Best For

Fragrance Story

Dolls by Moth and Rabbit Perfumes is a fragrance for women and men. The nose behind this fragrance is Mark Buxton. Top notes are Cherry Blossom, Geranium, Davana and Orange Blossom; middle notes are Maple sap, Ylang-Ylang, Rose Oil and Apple Blossom; base notes are Snow, Musk, Animal notes, Ambergris and Cedar.

Composition Profile

fresh 100%
sweet 85%
musky 70%
fruity 60%
floral 50%
animalic 40%
yellow floral 35%
ozonic 30%
powdery 25%

About the Perfumer

Mark Buxton

Mark Buxton

Mark Buxton is a renowned perfumer whose creations include Dead Air for .Oddity, Elixir De Bombe for 27 87, and Orchid Vanilla for 4711. His diverse portfolio spans avant-garde, woody, and floral scents for both niche and classic brands. He is celebrated for his innovative and unconventional style.

Fragrance Notes

Top Notes

First impression · 15-30 min

Cherry Blossom Cherry Blossom
Geranium Geranium
Davana Davana
Orange Blossom Orange Blossom

Heart Notes

Core character · 2-4 hours

Maple sap Maple sap
Ylang-Ylang Ylang-Ylang
Rose Oil Rose Oil
Apple Blossom Apple Blossom

Base Notes

Lasting impression · 4+ hours

Snow Snow
Musk Musk
Animal notes Animal notes
Ambergris Ambergris
Cedar Cedar

Character Profile

The Dolls Moth And Rabbit Devo Archetype: Portrait of Dolls Moth And Rabbit Perfumes

Essence

At the heart of this person lies the Innocent, an archetype defined by purity, nostalgia, and an unshakable belief in beauty. The Innocent does not merely perceive the world-they enchant it, filtering reality through a lens of childlike wonder. The fragrance they adore-Dolls Moth and Rabbit-speaks to this: a scent that is soft yet mysterious, playful yet melancholic, evoking porcelain dolls, moonlit gardens, and the quiet rustle of moth wings.

This is not mere whimsy. The Innocent’s love for such a fragrance reveals a soul that resists the harshness of the mundane. They are drawn to the delicate, the ephemeral, the things that others might overlook-a moth drawn to the flicker of a candle, not out of naivety, but because they understand that fragility holds its own kind of power.

Shadow

The Innocent’s strength is their ability to find magic in the ordinary. They remind others that wonder is not lost-it is merely forgotten, buried under the weight of practicality. Their presence is a balm, a momentary escape into a world where softness is not a flaw but a virtue.

But the shadow of the Innocent is escapism. When reality becomes too abrasive, they retreat-into nostalgia, into daydreams, into the safety of their perfumed world. They risk becoming passive observers of their own lives, waiting for the world to match their ideals rather than engaging with it as it is. Their avoidance can curdle into resentment, a quiet bitterness toward those who seem to navigate life with ease while they feel perpetually out of step.

Conclusion

Their tastes are an extension of their inner world. They prefer pastels and muted tones, fabrics that feel like whispers against the skin-lace, silk, cashmere. Their home is a sanctuary of curiosities: dried flowers under glass, vintage teacups, shelves lined with fairy tales and poetry. They do not merely collect objects; they curate atmospheres, each item a talisman of memory or imagination.

Philosophically, they reject cynicism. They believe in kindness as a radical act, in beauty as necessity rather than luxury. Their values are rooted in gentleness-not weakness, but a deliberate refusal to harden. They see the world as a place that can be mended, if only people would pause long enough to notice its wounds.

Relationships are both their greatest joy and deepest vulnerability. They love fiercely but selectively, drawn to those who share their appreciation for the tender and the strange. Yet they often struggle with boundaries, mistaking empathy for obligation, giving too much of themselves to those who do not understand their fragility.