It’s The Berries Perfume Cult

Unisex
Eau de Parfum
Year: 2023
Moderate
Sillage
Good
Longevity
Summer
Best Season
Casual
Best For

Fragrance Story

It’s the Berries by Perfume Cult is a Floral Fruity fragrance for women and men. This is a new fragrance. It’s the Berries was launched in 2023. The nose behind this fragrance is Philippine Courtière. Top notes are Raspberry and Apple; middle notes are Violet, Davana and Jasmine; base notes are Woody Notes, oak moss, Vanilla, Musk and Ambrox Super.

Composition Profile

fruity 100%
woody 85%
green 70%
powdery 60%
sweet 50%
fresh 40%
violet 35%
aromatic 30%
musky 25%
vanilla 20%

About the Perfumer

Philippine Courtière

Philippine Courtière

Philippine Courtière is a French perfumer who has composed for 4711, Chloé, and Arabian Oud. Her work includes the fresh Acqua Colonia Coconut Water & Yuzu and the floral Narcissus Poeticus. She also created zodiac-inspired scents for BY SHAMS PERFUMES and the rich Opulent Vanilla for Angel Schlesser.

Fragrance Notes

Top Notes

First impression · 15-30 min

Raspberry Raspberry
Apple Apple

Heart Notes

Core character · 2-4 hours

Violet Violet
Davana Davana
Jasmine Jasmine

Base Notes

Lasting impression · 4+ hours

Woody Notes Woody Notes
oak moss oak moss
Vanilla Vanilla
Musk Musk
Ambrox Super Ambrox Super

Character Profile

The Hedonist Archetype: Portrait of It’s The Berries Perfume Cult

Essence

To love It’s The Berries Perfume Cult is to embrace a fragrance that is unapologetically lush-juicy, sweet, and intoxicating, like biting into ripe fruit under a summer sun. The person who adores this scent is not merely drawn to its playful decadence; they embody it. Their soul hums with the energy of The Hedonist, an archetype that thrives on sensory pleasure, spontaneity, and the pursuit of joy. But beneath the surface of their vibrant exterior lies complexity-a tension between their radiant exuberance and the darker currents of indulgence and escapism.

Shadow

Yet, like all who worship at the altar of pleasure, they risk becoming its prisoner. Their pursuit of joy can tip into recklessness-another drink when they’ve had enough, another flirtation when they should walk away, another purchase when their wallet groans. They are not immune to the hollow ache that follows indulgence, the quiet whisper of was that all?

Their shadow is a refusal of restraint. They fear boredom more than chaos, stagnation more than ruin. In their weaker moments, they mistake intensity for meaning, mistaking the rush of a new experience for genuine fulfillment. Relationships may suffer-not because they lack warmth, but because their restless spirit makes them unreliable. Promises are broken not out of malice, but because something more enticing called their name.

Conclusion

Their world is one of vivid impressions-bold flavors, rich textures, laughter that rings too loud, and a wardrobe that refuses to be muted. They favor clothes that shimmer, fabrics that drape dramatically, colors that demand attention. Their home, if not meticulously curated, is at least alive-strewn with half-read books, half-empty wine glasses, and the lingering scent of something sweet. They are not afraid of excess, for they believe life should be tasted, not merely endured.

Philosophically, they reject asceticism. To them, denying pleasure is a kind of cowardice, a refusal to engage fully with existence. They are drawn to Epicureanism, but not the modern caricature of it-they understand that true pleasure requires discernment. A cheap thrill is fleeting; they seek the kind of joy that lingers, the kind that comes from a perfectly ripe strawberry, a deep conversation at midnight, or the warmth of skin against skin.