Rose Velours Van Cleef & Arpels

For Women
Eau de Parfum
Year: 2013
Moderate
Sillage
Good
Longevity
Spring
Best Season
Evening
Best For

Fragrance Story

Rose Velours by Van Cleef & Arpels is a Floral fragrance for women. Rose Velours was launched in 2013. The nose behind this fragrance is Antoine Maisondieu. Top notes are Violet Leaf and Bergamot; middle notes are Rose, Honey and Iris; base notes are Benzoin, Ambroxan and Cedar.

Composition Profile

rose 100%
amber 85%
floral 70%
honey 60%
ozonic 50%
citrus 40%
aquatic 35%
iris 30%
powdery 25%
woody 20%

About the Perfumer

Antoine Maisondieu

Antoine Maisondieu

Antoine Maisondieu is a French perfumer and a senior vice president at Givaudan, where he has worked for decades. He is known for creating refined, modern compositions that balance natural elegance with subtle complexity. His work includes the woody, leathery Bottega Veneta Pour Homme and the fresh, floral Acqua di Parma Magnolia Nobile.

Fragrance Notes

Top Notes

First impression · 15-30 min

Violet Leaf Violet Leaf
Bergamot Bergamot

Heart Notes

Core character · 2-4 hours

Rose Rose
Honey Honey
Iris Iris

Base Notes

Lasting impression · 4+ hours

Benzoin Benzoin
Ambroxan Ambroxan
Cedar Cedar
Unique Character

Rose Velours Van Cleef & Arpels by Van Cleef & Arpels offers a distinctive olfactory experience that stands out from other fragrances in its category.

Artisanal Creation

Crafted with the finest ingredients and a blend of traditional and modern perfumery techniques, this fragrance represents the pinnacle of the perfumer's art.

Signature Style

Rose Velours Van Cleef & Arpels embodies the distinctive style of Van Cleef & Arpels while adding a unique chapter to their fragrance portfolio.

Character Profile

The Lover Archetype: Portrait of Rose Velours Van Cleef & Arpels

Essence

The one who wears Rose Velours by Van Cleef & Arpels is most closely aligned with The Lover-an archetype steeped in sensuality, aesthetic refinement, and a deep yearning for beauty in all its forms. This is not merely a romantic figure, but one who seeks to experience life through the senses, to be intoxicated by texture, scent, and emotion. The Lover does not simply exist; they feel existence.

The fragrance itself-a lush, velvety rose wrapped in warm vanilla and soft woods-mirrors this archetype’s essence. It is opulent yet intimate, bold yet tender. It does not shout but lingers, drawing others in with quiet magnetism.

Philosophy & Values

For them, beauty is not frivolous-it is a necessity, a rebellion against the mundane. They believe that to deny pleasure is to deny life itself. Their guiding principle is simple: If something does not stir the soul, it is not worth keeping.

Yet beneath this devotion to beauty lies a quiet defiance. They reject the notion that depth must be austere, that wisdom must be joyless. To them, passion is intelligence-the body and mind are not separate but entwined.

Relationships

They do not love carelessly. Relationships, to them, are a form of artistry-each one a canvas to be painted with shared experiences, whispered confessions, the weight of a hand on skin. They are drawn to those who understand the language of subtlety, who can read the meaning in a glance, the shift of a tone.

But their intensity can be overwhelming. They do not merely want to be loved-they want to be known, to be unraveled. This hunger can make them possessive, their devotion tipping into obsession. When they love, they love with the whole of themselves, and they expect nothing less in return.

Shadow

The Lover’s greatest strength is also their greatest peril. Their pursuit of beauty can become decadence; their sensuality, indulgence. They risk losing themselves in the chase for the next thrill, the next intoxication.

There is also a vulnerability in their need for connection. Rejection wounds them deeply, not because of pride, but because it feels like a denial of their very essence. In darker moments, they may retreat into fantasy, preferring the safety of idealized love over the messiness of reality.

Conclusion

Their world is one of deliberate elegance. They surround themselves with objects that demand to be touched-silk scarves, aged leather-bound books, the weight of a crystal glass in hand. They do not merely drink wine; they savor the way light passes through the liquid, the way the first sip lingers on the tongue.

Their personal style is an extension of this philosophy. They favor fabrics that move with the body, colors that shift in different lights-deep burgundies, midnight blues, the faint shimmer of gold thread in candlelight. Their home is not decorated but composed, each piece chosen for its ability to evoke emotion.