This Is Her Zadig & Voltaire

For Women
Eau de Parfum
Year: 2016
Moderate
Sillage
Very Good
Longevity
Fall
Best Season
Evening
Best For

Fragrance Story

This is Her by Zadig & Voltaire is a Oriental Vanilla fragrance for women. This is Her was launched in 2016. This is Her was created by Sidonie Lancesseur and Michel Almairac. Top notes are Pink Pepper, Jasmine Sambac and Silkwood Blossom; middle notes are Whipped Cream, Vanilla and Chestnut; base notes are Sandalwood and Cashmere Wood.

Composition Profile

vanilla 100%
sweet 85%
woody 70%
balsamic 60%
powdery 50%
lactonic 40%
warm spicy 35%
soft spicy 30%
musky 25%

About the Perfumer

Michel Almairac

Michel Almairac

Michel Almairac is a renowned French perfumer who has created fragrances for many major brands. His catalog includes Eau D'addiction for Addiction, Capri for Al-Jazeera Perfumes, and several scents for Alfred Dunhill, such as Desire For A Man and the classic Dunhill. He also worked on the Andy Warhol line, creating Marilyn Bleu, Marilyn Rose, and Marilyn Rouge, as well as Pop Pour Femme.

Fragrance Notes

Top Notes

First impression · 15-30 min

Pink Pepper Pink Pepper
Jasmine Sambac Jasmine Sambac
Silkwood Blossom Silkwood Blossom

Heart Notes

Core character · 2-4 hours

Whipped Cream Whipped Cream
Vanilla Vanilla
Chestnut Chestnut

Base Notes

Lasting impression · 4+ hours

Sandalwood Sandalwood
Cashmere Wood Cashmere Wood
Unique Character

This Is Her Zadig & Voltaire by Zadig & Voltaire offers a distinctive olfactory experience that stands out from other fragrances in its category.

Artisanal Creation

Crafted with the finest ingredients and a blend of traditional and modern perfumery techniques, this fragrance represents the pinnacle of the perfumer's art.

Signature Style

This Is Her Zadig & Voltaire embodies the distinctive style of Zadig & Voltaire while adding a unique chapter to their fragrance portfolio.

Character Profile

The Archetype Archetype: Portrait of This Is Her Zadig & Voltaire

Essence

To wear This Is Her by Zadig & Voltaire is to embrace a paradox-softness with an edge, warmth with mystery. The fragrance itself is a blend of creamy sandalwood, powdery heliotrope, and a whisper of almond, evoking both comfort and quiet defiance. The woman who chooses this scent is not one to be easily defined; she exists in the liminal space between dream and reality, between tenderness and strength. Her archetype is unmistakable: The Mystic.

She is drawn to the unseen, the subtle, the spaces between words. The Mystic does not merely perceive the world-she intuits it, sensing currents beneath the surface. Her mind is a labyrinth of symbols, dreams, and half-remembered impressions. She moves through life with an air of quiet knowing, as if she has glimpsed something others have not.

Her tastes reflect this duality. She adores the tactile-cashmere sweaters, worn-in leather journals, the weight of a well-bound book in her hands. Yet she is equally seduced by the intangible: the way light filters through autumn leaves, the scent of rain on pavement, the silence just before dawn. Her style is effortlessly undone-loose layers, soft fabrics, a hint of androgyny. She does not dress to impress but to feel, as if her clothing were an extension of her inner world.

Philosophy is not an abstract exercise for her; it is lived. She believes in the sacredness of small moments, the wisdom of intuition, the necessity of solitude. She does not chase happiness in the conventional sense-she seeks meaning, depth, the kind of truth that can only be felt in the bones.

Shadow

Yet the Mystic is not without her shadows. Her greatest flaw is her tendency to retreat too far inward, to mistake solitude for sanctuary. There are days when the world feels too harsh, too loud, too demanding-and so she withdraws, not out of malice but self-preservation. Those who love her may find themselves shut out without warning, left to wonder if they have done something wrong.

Her intuition, though powerful, can become a prison. She sometimes trusts her inner visions more than reality, leading her to dismiss tangible truths in favor of her own perceptions. She may romanticize suffering, believing that depth must always come with melancholy.

And then there is her detachment-the way she can observe life as if from a distance, untouched. It protects her, yes, but it also isolates her. She must learn, again and again, that wisdom does not always reside in solitude-sometimes it is found in the messy, imperfect act of being present.

Conclusion

Her greatest strength is her ability to see beyond surfaces. Where others rush to judgment, she waits, observes, listens. She is the friend who knows what you need before you say it, the lover who understands the unspoken ache in your silence. Her presence is calming, not because she is passive, but because she carries an unshakable sense of inner knowing.

She thrives in creative solitude-writing, painting, wandering without destination. Her mind is fertile ground for ideas that others might dismiss as whimsical, yet she nurtures them with patience. She does not fear the unknown; she is drawn to it.

In relationships, she is fiercely loyal but never possessive. She loves deeply but without demand, understanding that true connection does not require ownership. Her friendships are few but profound, built on mutual recognition rather than convenience.