Ukiyo-e Gri Gri Parfums

For Men
Eau de Parfum
Year: 2016
Moderate
Sillage
Good
Longevity
Spring
Best Season
Casual
Best For

Fragrance Story

Ukiyo-E by Gri Gri Parfums is a Aromatic fragrance for men. Ukiyo-E was launched in 2016. The nose behind this fragrance is Anaïs Biguine. Top notes are Genmaicha and Yuzu; middle notes are Green Tea and Daphne; base notes are Japanese Cherry Blossom and heather.

Composition Profile

floral 100%
aromatic 85%
green 70%
citrus 60%
fresh 50%
sweet 40%

About the Perfumer

Anais Biguine

Anais Biguine

Anais Biguine is a French perfumer known for her work with independent niche houses such as Chapel Factory, Gri Gri Parfums, and Jardins d’Ecrivains. Her style often blends raw, smoky, or incense-like accords with unexpected gourmand or floral touches, as seen in creations like Chapel Factory’s Baptisma and Gri Gri Parfums’ Moko Maori. She is recognized for crafting evocative, narrative-driven scents that balance darkness with subtle sweetness.

Fragrance Notes

Top Notes

First impression · 15-30 min

Genmaicha Genmaicha
Yuzu Yuzu

Heart Notes

Core character · 2-4 hours

Green Tea Green Tea
Daphne Daphne

Base Notes

Lasting impression · 4+ hours

Japanese Cherry Blossom Japanese Cherry Blossom
heather heather
Unique Character

Ukiyo-e Gri Gri Parfums by Gri Gri Parfums offers a distinctive olfactory experience that stands out from other fragrances in its category.

Artisanal Creation

Crafted with the finest ingredients and a blend of traditional and modern perfumery techniques, this fragrance represents the pinnacle of the perfumer's art.

Signature Style

Ukiyo-e Gri Gri Parfums embodies the distinctive style of Gri Gri Parfums while adding a unique chapter to their fragrance portfolio.

Character Profile

The Wanderer Archetype: Portrait of Ukiyo-e Gri Gri Parfums

Essence

The person who gravitates toward Ukiyo-e Gri Gri by Parfums is, at their core, an Explorer-a seeker of fleeting beauty, transient experiences, and the poetry of impermanence. This fragrance, with its evocation of Japanese woodblock prints (ukiyo-e, the "pictures of the floating world"), speaks to someone who finds meaning in the ephemeral, who thrives in the liminal spaces between reality and reverie. The Explorer is restless, curious, and deeply attuned to the aesthetics of life, yet they risk becoming unmoored, drifting without anchor in their pursuit of the next sublime moment.

Philosophy & Values

They believe in the transience of all things, finding solace in the idea that nothing lasts, not even suffering. This philosophy shields them from sentimentality-they do not cling-but it also makes them wary of deep commitment. They value freedom above stability, often choosing the open road over the comforts of routine.

Their relationships are intense but fleeting, like ink dissolving in water. They attract others with their quiet magnetism, their ability to make even a passing conversation feel profound. Yet they struggle with intimacy, fearing that permanence will dull the sharp edges of their experience. They love deeply-but from a distance, like a traveler watching a sunset they know they will never see again.

Shadow

The Explorer’s greatest weakness is their resistance to depth. In their quest for novelty, they may avoid the hard work of lasting connection. They mistake movement for growth, confusing the accumulation of experiences with true wisdom. When bored or restless, they disappear-sometimes literally, leaving friendships and obligations half-finished.

Their aestheticism can also tip into escapism. They may romanticize melancholy, mistaking detachment for enlightenment. At their worst, they become ghosts in their own lives, observers rather than participants, always chasing the next fleeting beauty but never allowing themselves to be changed by it.

Conclusion

Their life is a tapestry of deliberate contrasts-minimalist yet rich in sensation, disciplined yet indulgent. They might be an artist, a traveler, or a quiet observer who transforms mundane moments into art. Their home is curated, not cluttered: a single incense burner, a well-worn book of haiku, a vintage kimono draped over a chair. They prefer experiences over possessions, yet their few belongings are chosen with monastic precision.

Their style is understated but textured-linen, raw silk, muted indigos-echoing the wabi-sabi philosophy of beauty in imperfection. They wear fragrance not as an accessory but as an intimate ritual, a way to shift perception. Ukiyo-e Gri Gri-with its whispers of incense, cedar, and something elusive-becomes their olfactory signature, a scent that lingers like a half-remembered dream.