Tabacaurum Sultan Pasha Attars

Unisex
Parfum/Extrait
Year: 2019
Strong
Sillage
Excellent
Longevity
Fall
Best Season
Evening
Best For

Fragrance Story

Tabacaurum by Sultan Pasha Attars is a Oriental Spicy fragrance for women and men. Tabacaurum was launched in 2019. The nose behind this fragrance is Sultan Pasha. Top notes are Tobacco, Jasmine Sambac, Saffron and Orange Blossom; middle notes are Tobacco, Osmanthus, Carnation, Cambodian Oud, Orris, Orange Blossom, Ylang-Ylang and Tuberose; base notes are Honey, Tobacco, Indian Oud, Ambrette (Musk Mallow), Siam Benzoin, Sandalwood and White Amber.

Composition Profile

floral 100%
warm spicy 85%
sweet 70%
honey 60%
tobacco 50%
woody 40%
white floral 35%
animalic 30%
amber 25%
fruity 20%

About the Perfumer

Sultan Pasha

Sultan Pasha

Sultan Pasha is a British perfumer known for his luxurious attars and complex ambergris-based compositions. His work often features rich, animalic notes and rare natural ingredients, drawing on traditional Middle Eastern perfumery techniques. The Coronation Ambergris series showcases his mastery of ambergris in varied interpretations, while his Al Hareem and Al Lail attars explore opulent floral and resinous blends.

Fragrance Notes

Top Notes

First impression · 15-30 min

Tobacco Tobacco
Jasmine Sambac Jasmine Sambac
Saffron Saffron
Orange Blossom Orange Blossom

Heart Notes

Core character · 2-4 hours

Tobacco Tobacco
Osmanthus Osmanthus
Carnation Carnation
Cambodian Oud Cambodian Oud
Orris Orris
Orange Blossom Orange Blossom
Ylang-Ylang Ylang-Ylang
Tuberose Tuberose

Base Notes

Lasting impression · 4+ hours

Honey Honey
Tobacco Tobacco
Indian Oud Indian Oud
Ambrette (Musk Mallow) Ambrette (Musk Mallow)
Siam Benzoin Siam Benzoin
Sandalwood Sandalwood
White Amber White Amber

Character Profile

The Lover Archetype: Portrait of Tabacaurum Sultan Pasha Attars

Essence

At the core of this individual’s being lies The Alchemist-an archetype that seeks to transmute the raw into the refined, the mundane into the mystical. They are drawn to the esoteric, the rare, and the opulent, not for mere vanity, but because they believe in the transformative power of beauty. Tabacaurum Sultan, with its intoxicating blend of tobacco, oud, spices, and leather, is not just a fragrance to them; it is an elixir, a potion that distills their essence into something both primal and regal.

Like the alchemists of old, they are part scientist, part mystic-someone who experiments with perception, sensation, and meaning. They do not merely wear a scent; they curate an experience.

Relationships

In love, they are both passionate and elusive. They crave deep connection but resist mundanity, fearing that routine will dull the intensity they cherish. Their relationships are intense, sometimes tumultuous, because they demand a partner who can match their emotional and intellectual depth.

They are not easily satisfied with casual bonds. Friendship, to them, is a sacred pact-reserved for those who understand their need for solitude as much as their capacity for devotion. They may be accused of being too demanding, but in truth, they hold themselves to the same standard.

Shadow

Yet, like all who dwell too long in the realm of the senses, they risk falling into decadence without purpose. Their love of beauty can tip into indulgence, their introspection into self-absorption. There is a danger that they become lost in their own labyrinth of aesthetics, mistaking the appreciation of depth for true wisdom.

They may also struggle with idealism, expecting too much from others and from life itself. When reality fails to match their vision, they may retreat into cynicism or melancholy. Their greatest challenge is to balance their reverence for the sublime with an acceptance of the imperfect.

Conclusion

Their tastes are unapologetically decadent, yet never superficial. They may surround themselves with rich textures-velvet, aged leather, dark woods-but these are not mere displays of wealth. Each object is chosen for its ability to evoke a mood, to tell a story. Their home is a sanctuary of dim lighting, antique books, and perhaps a well-worn Persian rug, bearing the marks of time.

They are drawn to art that lingers in the shadows-Baroque music, pre-Raphaelite paintings, the poetry of Rilke or Baudelaire. There is a melancholic beauty in their preferences, a recognition that ecstasy and sorrow are intertwined.

Philosophically, they reject the modern obsession with speed and simplicity. They believe in depth over efficiency, in savoring rather than consuming. Their values are rooted in authenticity-they despise pretense, yet they themselves may occasionally indulge in theatricality, for they understand that life is, in part, a performance.