Love Potion No. 3 Tiermarq

Unisex
Eau de Parfum
Year: 2020
Strong
Sillage
Very Good
Longevity
Fall
Best Season
Evening
Best For

Fragrance Story

Love Potion No. 3 by Tiermarq is a Woody Aromatic fragrance for women and men. Love Potion No. 3 was launched in 2020. The nose behind this fragrance is Maxwell Williams.

Composition Profile

woody 100%
musky 85%
amber 70%
aromatic 60%
earthy 50%
floral 40%
rose 35%
powdery 30%
fruity 25%
patchouli 20%

About the Perfumer

Maxwell Williams

Maxwell Williams

Maxwell Williams is a perfumer who has worked with brands such as Boot Boyz, Everybody World, Obey Clothing, Tiermarq, and UFO Parfums. His creations include L'eau D'boot, Desire Path, and 165 Bpms, often featuring bold, unconventional themes. Williams' style is eclectic, ranging from fresh to avant-garde.

Fragrance Notes

All Notes

Complete scent profile

Hyrax Hyrax
Palo Santo Palo Santo
Patchouli Patchouli
Bulgarian Rose Bulgarian Rose
Cypriol Oil or Nagarmotha Cypriol Oil or Nagarmotha
Black Currant Black Currant
Australian Sandalwood Australian Sandalwood
Hemlock Hemlock
Carrot Seeds Carrot Seeds
Cypress Leaf Cypress Leaf

Character Profile

The Lover Archetype: Portrait of Love Potion No. 3 Tiermarq

Essence

This person is governed by the Enchantress, a variant of the Lover archetype-one who weaves allure not just through beauty, but through mystery, magnetism, and the promise of transformation. The fragrance Love Potion No. 3 Tiermarq is their elixir: a blend of dark vanilla, amber, and spices, both intoxicating and elusive. Like the scent, they are a paradox-warm yet enigmatic, inviting yet untamed.

The Enchantress does not merely seek love; they conjure it, shaping reality through the power of fascination. Their presence lingers in the mind long after they depart, a whisper of something just beyond grasp.

Shadow

Yet, the Enchantress risks becoming the Trickster when their magic turns manipulative. Their charm can be weaponized, their allure a means of control. They may grow bored when the spell wears off, discarding connections once the mystery fades. Their greatest fear is being ordinary-so they sometimes render others ordinary in comparison, diminishing them to maintain their own radiance.

There is also a melancholy beneath the glamour. The very skill that makes them captivating-the ability to reflect others’ deepest longings-can leave them wondering who they are outside of others’ projections. In quieter moments, they may feel like a mirror, admired but never fully known.

Conclusion

Their tastes are decadent but deliberate. They favor textures that beg to be touched-velvet, silk, aged leather-and colors that shift with the light: deep burgundy, molten gold, the shadowy purple of twilight. Their home is a sanctuary of curated opulence: antique mirrors, incense curling in the air, shelves lined with poetry and esoteric philosophy.

Philosophically, they reject the mundane. Life, to them, is an art form, and every interaction is a brushstroke. They believe in the alchemy of connection-that a glance, a touch, a shared silence can alter the course of a soul. This is not naivety, but a calculated romanticism. They understand the power of illusion, yet they are not dishonest; they simply know that truth is often best revealed through layers.